Korean gangster movies have become trendy worldwide during the last 20 years. There are many factors that led to this and one of this is the typical thug genre. Indeed, the hooligan cinema category is considered among the most flexible and universal class for today’s generation of movie makers.
The movie industry in the United States produces Korean gangster movies. Many of these are patterned after Hollywood criminal flicks in the past such as Scarface in the thirties and the classic, “The Godfather” in the seventies. Korean versions include A Bittersweet Life in 2005, Gangster High in 2006 and New World in 2013. These motion pictures are typified by a distinct combination of stark violence with drama as well as critique of Korean way of life.
One factor that makes Korean gangster movies omnipresent is these movies depict subjects of ethnic groups. For instance, this particular genre underscores gruesome social consequences of free enterprise. This includes destitution and dearth of social transformation which are conditions obvious in American crime movies. In most of these big screen films, crime groups belong to the lower ethnic class such as immigrants. The genre describes how criminal networks induce minorities to get out of hardships due to deep-seated racial discrimination.
The movie industry in Korea is giving Hollywood producers a run for their money because of Korean gangster movies. It has demonstrated competence with regards to story lines and production values.
As a matter of fact, Korean gangster movies do not tackle racial issues. Korea is an ethnically harmonized culture compared to the United States. Racial gangs are not very common. These crime flicks concentrate usually on poverty and resolving these predicaments within the framework of a capitalist society.
The Korean gangster movies illustrate said issues in a completely different approach making use of excitement and tragedy as annotations on criminal existence. Rags to riches movies by way of crime acts like drug trafficking turn out as platform to highlight poverty. Said films delve into the feelings of their subjects.
As such, Korean gangster movies look into their sorrows, family problems and emotional hurt. Lives of these hoodlums are portrayed as complicated and fruitless. This overemotional style allows lawbreakers to be humanized. Their sufferings are made legitimate by producers and scriptwriters. These motion pictures expose organized crime from the standpoint of ordinary laborers. Not all characters are amiable but their sentiments are blown up through drama. The genre illustrates life as very hopeless compared to American crime films which normally romanticize central characters.
Finally, Korean gangster movies treat violent behaviors brutally. The government is very stringent when it comes to use of firearms. Henceforth, most of these films tend to popularize the use of knives, pipes, wooden bats, and ordinary fists. The films end in extended and cruel fighting scenes such as Kung-Fu influenced films. The themes demonstrate ruthless effects of criminal life on ordinary people. Of course, these result in physical and mental implications. The death of a criminal is merciless and not glamorous in this country.